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Listening to Music

Chapter One

Deep Listening

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Chapter Two

Medieval Roots

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Chapter Three

"World" Music

Hilltop Castle

Chapter Four

Court Performers

Baroque Architecture

Chapter Five

Baroque/Social Class

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Chapter Six

Classicism/Revisiting Vienna

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Chapter Seven

Romantic Performer/Composers

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Chapter Eight

American Pop 1895-1945

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Chapter Nine

Gospel and Blues

Camera

Chapter Ten

Visual Media and Marketing of Performers

Opera Performances

Chapter Eleven

Changing Gender Roles on Stage

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Chapter Twelve

Segregation/Integration in Ensembles

Empty Orchestra Stage

Chapter Thirteen

Large-Scale and Experimental Works

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Chapter Fourteen

Instrumental to Jazz

Making Music

Chapter Fifteen

Technology in the Hands of Women

Fans in Concert

Chapter Sixteen

Pop Music as a Feminist Platform

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